I wrote this with my friend, Grace, a long while ago, and she emailed me today and told me that she used it again on another site (prompted after New Moon fangirl squealing). And I decided to post it here for the heck of it.
Please, please do not take offense to this, Twilight fans. It's simply a collaboration of points that my friend and I gathered when asked why we disliked the series.
(It also took us quite a while to write...>.<)
*All of this is opinion. Please be respectful!*1. Edward is abusive.
2. The books are sexist.
3. The entire series is one big plothole.
4. Adding onto the plothole issue, the main plot is either nonexistent or very, very small.
5. What Edward and Bella have is lust, not love.
6. Bella fails as a character.
7. The whole issue of imprinting: gross. Pedophilia, at worst, sick at best.
8. The books send a bad message.
Let me elaborate on each point.
1. EDWARD IS ABUSIVE.Edward, undoubtedly, wears the pants in the relationship. He controls every chaste little kiss, is completely manipulative and domineering, prevents Bella from having a social life/dreams/ambitions outside of him, manipulates her into marriage, and prevents her from seeing her only friend, Jacob, by going so far as to take the engine out of her vehicle and kidnapping her.
It doesn't
matter whether or not he does it because he loves her. It doesn't
matter that he's a vampire. Those aren't excuses, and can't be used validly to defend Edward. He is jealous of Bella's relationships (case in point: Jacob), he emotionally withholds almost everything from her, he continually breaks his promises, and he's always playing games with her.
It also doesn't matter that he's trying to protect Bella. He has no right to do so. It isn't his life, and it isn't his right to decide who she sees, when she sees them, etc.
2. THE BOOKS ARE SEXIST.Oh dear. This is one of the things I absolutely abhor. I may rant a little more in this section, because it bothers me to no end.
Bella is weak. That sounds harsh, but she is. She is the cliched damsel in distress, morally weak-willed, unwilling to do anything or go anywhere without Edward, doesn't have any hopes or dreams outside of her boyfriend (college, a career, etc). I could go on. I'll focus more on Bella when I get to point #6.
The rest of the female characters are inferior to the males across the board. Jessica, Angela, and every other female Bella comes across is deemed as shallow, and they don't get to have personalities, whereas Mike, Tyler, and Eric all have distinct personas. Bella's mom is flighty and unreliable, as opposed to dependable Charlie. Even the female vampires have issues: Rosalie as a human was shallow, and Esme serves no other purpose than being Carlisle's wife.
Oh, Leah, Leah, Leah. I actually really liked Leah. She interested me, the exception to the "ONLY MALES ARE WEREWOLVES HOO HAH" rule. But, of course, SMeyer couldn't leave her only possible salvation of the female gender alone. She had to portray Leah as bitter, mean, unreasonable, when she was really just heartbroken over Sam. Jacob, on the other hand, was coddled when Bella broke his heart. How unfair. How...sexist.
On the subject of werewolves, imprinting is also unfair. The women have absolutely no say in the matter.
Alice is not a strong female character, either. True, in comparison to, say, Angela, sure, she's great. But when you compare her to the great Vampires in, say, Anne Rice's "True Blood," she's absolutely inferior. Even her powers are less than Edward's and Jasper's. Hers are wishy-washy and unreliable.
Let me just add this very quickly: Just because Bella doesn't mind her role as a female and a designated happy homemaker doesn't mean it's not sexist.
3. THE ENTIRE SERIES IS ONE BIG PLOTHOLE.There are so many examples of these: Alice's inability to "see" the werewolves; the entire desertion of pure, traditional vampire instinct; don't even get me started on the Renesmee thing. It will get graphic.
Let's just say, for argument's sake, that all of the unrealistic things = [x].
"It's fantasy/fiction/just a story! It doesn't have to make sense!"
Oooh, this argument makes me crazy. Just because the series is fiction doesn't give it an excuse to be unrealistic. The author's job is to make it believable, which SMeyer has not done an adequate job of doing. Believable fiction comes from believable characters (Edward is, supposedly, perfect. No one is perfect. Nilch for believable fiction, point one), create a world with rules (and follow those rules), and have character development throughout the story, or, in this case, throughout the saga.
The fact that it's fiction doesn't mean Bella and Edward's "true love" is any less unrealistic. Attraction does not equal love, much less eternal love.
4. THE MAIN PLOT IS PATHETIC, IF EXISTENT AT ALL.Let's get one thing clear: Bella and Edward's "love" is not a plot. The tension between Edward and Jacob is not a plot. James trying to kill Bella is not a plot. Those are all subplots, and crappy ones at that.
Plots encompass character development, and neither Bella nor Edward really changes from the first time we meet them, Bella on page one of Twilight and Edward not very long thereafter. Neither of them have identifiable characteristics (Edward playing the piano, for example, is not a character trait), and neither of them really develops at ALL. Edward's character arc also does not occur when he meets Bella. Wanting to kill her one day and wanting to hold her hand the next is not significant. The idea that Edward hasn't really lived until meeting her only reinforces his pathetic character. He is, essentially, a blank slate, and stays that way through all four books.
Now, let's get to the actual plot. Here's basically what happens in Twilight:
1. Bella moves to Forks.
2. Bella sees Edward for the first time, drools incessantly,
3. They "fall in love"
4. James comes to town, smells Bella, and decides that he wants to eat her.
5. Edward kills James in a fade-to-black scene.
6. YAYYYY, TRU LUV PREVAILS FOREVAAAAAAAA (sorry. Couldn't help it. >.<)
Plot = conflict. The main plot, Twihards may argue, is Bella and Edward falling in love. That was resolved in a matter of pages, and therefore fails as a plot. Finding out Edward is a vampire is also not a plot, because it says so right...on...the cover. So the reader is waiting for Bella to just FIGURE IT OUT ALREADY, KTHNX, and it becomes really. Really. Did I mention REALLY annoying?
The James thing is the only issue that could reasonably be counted as a plot. I'll accept it, for now. But it was resolved incredibly easily, with Edward (of course) saving the day (and the damsel in distress), Bella escapes relatively unharmed, and life goes on as normal. Yippee.
5. What Edward and Bella have is lust, not love.
This is the kicker. Bear with me.
Merriam-Webster's definition of "lust":
noun: 2: usu. intense or unbridled sexual desire : lasciviousness
3 a: an intense longing : craving <a lust to succeed>
Transitive verb: to have an intense desire or need : crave; specifically : to have a sexual urgeWikipedia's definition of "infatuation":
Infatuation is the state of being completely carried away by unreasoned passion or love; addictive love. Infatuation usually occurs at the beginning of a relationship. It is characterized by urgency, intensity, desire, and/or anxiety, in which there is an extreme absorption in another. It is traditionally associated with youth.Meyer makes it very, very clear to the reader, by means of both Bella and Edward many, many times to the point of absolute, unadulterated insanity, that they are in TRUE LOVE.
This true love, claimed by Meyer herself to be better and more epic than Heathcliff and Catherine! Elizabeth and Darcy! (Which I find very amusing, considering Twilight is very largely based around Pride and Prejudice), happens in less than, say, five seconds. Yeah. Not very realistic at all. No one, not even sparkly, gorgeous vampires can look at the face of someone and decide that that person is their soulmate, forever and always.
Every other word out of Bella's mouth is a description of Edward's total, mindblowing hotness (beauty is subjective, mind you), or "ZOMG EDWARD I LOVE YOU FOREVER <3!" Their compatibility as a couple is questionable. They never do anything (what happened to just watching movies on the weekend?), they never have real conversations (other than "I'M DANGEROUS STAY AWAY"). They watched Romeo and Juliet in the first book, but only for the purpose of comparing E & B to Romeo and Juliet. Which is laughable, honestly, considering Shakespeare wrote that story as a mockery of teenage love and how teenagers will go so far as to kill themselves for each other, which is very, very ironic if you think about it. But, I digress.
They don't have real personalities, so how can we tell if they're actually compatible? Not very believable; refer to point #3.
Meyer also romanticizes suicide. This is something I'll explore in point #8.
6. BELLA FAILS AS A CHARACTER.Bella is an idiot, I'm sorry to say. Well, not really.
Characters and action must be SHOWN, not TOLD. I'm sure you've heard that term before.
Bad writers do one of two things:
Tell [x], but don't show [x].
or
Tell [x], but show [y].
The second one is much, much worse, and Meyer is guilty of it. She constantly contradicts herself in regards to her precious heroine. We're told that Bella likes to read, and that she likes to read classics (Wuthering Heights, Romeo and Juliet, and so on), but we never actually SEE HER READING A BOOK. She never makes references to the books, she never is said to have anything to do with anything that could make her a smart character unless Meyer wants to point out that Bella is smart. She doesn't have interests in her classes. She never, ever discusses the books she supposedly devoured, and that were her only friends in Phoenix.
This is TELLING that Bella likes to read, not showing it.
Let's look at the utterly stupid things that Bella likes to do.
1. She walks off into a dark alley where she might get picked up, and not in a good way.
2. She doesn’t tell Edward or any of the centuries-old, experienced vampires about James’ message, deciding to handle it herself instead.
And almost gets killed in the process.
3. She gets lost in the woods (granted, emotional issues aside) within sight of her own home. (...)
4. She repeatedly puts herself (and her life) in danger to hear a voice in her head.
5. Despite writing an essay on Shakespeare being misogynistic, she does not recognize at all the sexist and abusive elements in her own relationships.
Bella is not a pretty little individual snowflake in the smart department.
Let's consider some contradictions about Bella:
1. Meyer tells us that Bella knows herself. But it takes Jake kissing her to make her realize that she loves him. Wut.
2. Meyer tells us that Bella is independent, and yet she turns into a zombie when Edward goes bye-bye. Any happiness that she has after he leaves is in Jacob.
3. Meyer tells us that Bella supposedly hates all the shallow, stupid girls at her school, but her relationship with Edward is entirely based off of appearances. Come on. If Edward wasn't freaking gorgeous, she wouldn't give him a second glance.
Conclusion?
Bella is stupid.
7. Imprinting is gross.It is NOT romantic, it is NOT fair to the females and, frankly, it's creepy. Love at first sight by any other name is still lame, but Meyer chose imprinting. Not a good move. Let's look into it.
Looking back at the "sexist" issue, who imprints? The male werewolves. And 2/3 of the imprinting examples we see are older males (Jacob and Quil have the mentality of 25-year-old males when they are werewolves, apparently) imprinting on toddlers and infants (Claire and Renesmee).
Imprinting is not romantic. It's not to ensure TWU LUV FOREVER. The sole purpose of imprinting is to reproduce. Period. That means that the relationship between the imprinter and the imprintee is sexual. It's not an older brother/uncle/father figure relationship, as Meyer would like us to believe. When you keep in mind that imprinting is sexual, and that the imprinter is not a sexual interest until the imprintee is of age...well, that's child grooming. Plain and simple. It's creepy, it's gross, it's pedophilia.
It's also sexist once again: take, for example, Quil and Claire's relationship. While Quil can't help his imprinting instinct, he has the upper hand in their relationship. He gets to spend the next 16 years molding their relationship while baby Claire never, ever gets a say, or even a chance to see what life without a looming father/brother/uncle/future partner figure overhead.
On the subject of imprinting and sexism, what in the world was Miss Meyer thinking when writing Leah as a werewolf? Werewolf-Leah is infertile, guys. She's twenty years old and going through menopause. That takes away both her right to have children and her right to imprint, because being infertile means there's no need for a future mate.
Male werewolves don't age, as long as they phase regularly. So why is Leah going through freaking menopause? Why do the guys get their happy endings, but Leah is denied hers?
Nice, SMeyer.
8. THE BOOKS SEND BAD MESSAGES.Among the popular themes in Twilight:
1. If your twu luv dies, it's totally okay to kill yourself.
2. If your man loves you to pieces and would kill himself for you, then it's okay for him to be abusive.
3. Imprinting - child grooming with a fancy name - is okay.
Now, if these issues were actually ADDRESSED in the novel, it wouldn't be as inherently BAD as it is in Twilight. Sure, they're depressing enough, but take, for example, Pride and Prejudice. The author of that story takes into account the sexism of that day and age and writes it into her novel, acknowledging that it exists and showing character development even around that issue.
SMeyer, on the other hand, refuses to acknowledge that those issues exist in her book. Therefore, the implications are still there, but since they are being wholly disregarded...that right there is the bad part, because readers think there is absolutely nothing wrong with it.
I have one more point for you to consider: the science. I'm not going to delve too deeply into that, but let me just say that I'm a fantasy/science fan. I'm okay with going along with the story if it makes sense and follows its own logic.
When someone writes science into his or her own novel, though, and gets it totally wrong, that's when you can start to tear it apart. This is a direct quote from SMeyer:
- Quote :
My reasoning was, why should the sun burn them? That seemed like a very mystical kind of thing, and my vampires are more science than magic to me (whereas my werewolves are more magic than science).
The "science" issue of this debate would be Renesme, of course. I'm not going to get into that. It would take me way too long. But that quote, right there, is exactly why we can analyze and totally disprove SMeyer's logic and science.
I don't mean to offend any Twilight fans, of course. I understand and respect your opinion if you disagree with me. I just can't accept this as wholesome entertainment or literature, even as a guilty pleasure. Not with all of this in mind.